For what it’s worth, first-time filmmakers are sometimes the target of exaggerated criticism that may or may not be warranted. And, even though constructive suggestions may indeed be helpful for improving the quality of future projects, it’s important to remember that their initial efforts might not be a fair reflection of their innate talents, so tact would be recommended when rendering advice. However, it should also be noted that there are exceptions to this rule, when frank, plainspoken observations – a form of cinematic tough love, as it were – would truly be called for. That’s very much the case with the debut documentary feature from writer-director Curtis Miller, a project in serious need of retooling. Let’s start with what works: the film incorporates a fine score and soundtrack, and there is some intriguing montage work scattered throughout the picture. That, unfortunately, is …
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