All User Reviews

Confessions explores the moral void left by a legal system that fails to punish juvenile crime, unfolding a chilling revenge through quiet monologues and shifting perspectives. As each character’s inner justification is exposed, the film reveals how guilt, bullying, and false righteousness mutate into collective cruelty. Cold, controlled, and devastating, it portrays revenge not as rage—but as a meticulously planned shadow that never truly leaves. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)…

Megane follows Taeko, a woman seeking quiet who instead confronts unwanted interactions that slowly teach her the value of slowing down. Through minimal dialogue, gentle rhythms, and a sunlit island setting, the film portrays transformation not through conflict but through acceptance and presence. It becomes a meditative reminder that true calm is not something we chase, but something we learn to allow. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)…

Paprika explores a surreal world where dreams and reality collide after the dream-entering device DC Mini is stolen, unleashing chaos that erodes the boundaries between the two realms. Through striking visual contrasts—nightmarish logic, vibrant dream parades, and fractured reality—the film reveals buried trauma, guilt, and ego within each character. Ultimately, it presents dreams not as an escape, but as a mirror that forces humanity to confront what it hides deepest within. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)…

An incredible film that really tugged hard on my emotions, and won. This movie broke me, but in a good cathartic way. My only criticism is that Jared Harris never hugs his 'daughter' Clare. But maybe that's just hos his character is meant to be. Or maybe that's just how British men are by default. But otherwise, such an emotional drama.…

From the go into our film, we have some truly silly individuals, and they appear to be a part of some ancient cultural practice. But things might be getting out of their control, as if they truly ever had any, but it's not what makes the scene, as much as the practical effects do. So it appears that we've a group of young men, gangsters, thugs basically, and we also have the blossoming of young love and memories amidst all this chaos. This film is pure bananas, I mean delightful chaos and silly madness. Through all the silliness, we finally have had enough, and the bad guys are bei…

82/100 Extended Edition Because of her actions in the previous 2 parts of the trilogy, Lisbeth recovers in the hospital while powerful people are planning to have her committed for life as she now has the key to their secret conspiracies. This one is not an action film. In fact, Lisbeth spends practically the entire film in a hospital or court, and the film is mostly about Millennium magazine's efforts to exonerate her. At this point, however, the Lisbeth character has become so compelling that, even without any real action, I was totally glued to the film and the 2 1/2 hour run time…

I'm sorry, but I found this disappointing. Both the script and the acting (by the majority of the cast) are subpar. If I have one positive thing to say about the show, it's that I appreciate the costume design and visuals in general, but that's nowhere near enough to warrant a higher score.…

**_A psycho slaying young women in The Big Easy in ’69_** Helmed by Joy N. Houck Jr, this is psychological drama-horror in the adult-oriented tradition of “Psycho,” just in living color with the milieu of the late ’60s, including a nightclub sequence featuring the band The Bored. Gerald McRaney plays the troubled protagonist in his feature film debut. Despite spending thirteen years in an asylum and recently getting out at the age of 26, he sure is adept at attracting beautiful women and getting them into bed. He must be a natural Lothario, mental problems notwithstanding. …

“Hannay” (Robert Powell) might have wished he hadn’t answered his front door when he encounters the fleeing “Scudder” (Sir John Mills) who seeks shelter in his flat. Quickly, he has regaled his host with tales of international espionage, murder and duplicity and before he knows it, “Hannay” is on a train heading for the highlands with the police and some murderous spies in hot pursuit. Luckily, he is quite a quick-witted sort of a gent, and so when he stumbles upon a grouse shoot at a grand country estate, he manages to befriend “Alex” (Karen Dotrice) and “David” (Miles Anderson) and with a bo…

In an age where it seems that troubling developments are ubiquitously lurking beneath the surface of public awareness, the need for intrepid investigative journalists to bring these stories to light is probably greater than ever. Unfortunately, such reporters have increasingly become a vanishing breed, especially in the mainstream media. Luckily, though, there are still some committed, courageous correspondents out there – mostly free-lancers – who are diligently working to bring these revelations to light. And one of the most prolific among them is veteran investigator Seymour “Sy” Hersh, who…