Processual Video (1980)

This experimental film, originally conceived as a reading for New York's Museum of Modern Art, breaks from traditional filmmaking by prioritizing the connection between language and simple visuals. Against a black screen, a white line rotates, seemingly creating a spoken narrative. As the line changes shape and disperses, the artist reads text that mirrors these visual shifts. The film uses wordplay to explore how language, perception, and moving images influence each other.