Kindergarten (First Romance) (2000)

In a Russian playgroup, toddlers display surprisingly adult behaviors. Serious romantic relationships develop, with some children determined to marry. One infant tries to quiet a friend, aware of the camera's presence, but most preschoolers remain oblivious and continue their daily routines. They play with dolls, use the playground, and talk animatedly, often discussing friendships and romantic interests. The direct cinema style feels particularly fitting in this setting. This film contrasts with Victor Kossakovsky’s previous work, which explored the deep love of an elderly couple. Here, young children's affections are fleeting and playful; a moment of love can change in a heartbeat.