Daylight Moon (2002)

Lewis Klahr's collage films evoke memory by combining discarded elements of everyday life – images from advertisements, textbooks, and comics, alongside objects like game pieces, menus, and playing cards – into scenes reminiscent of faded Hollywood movies. In *Daylight Moon*, he delves even deeper, attempting to recreate how a young child perceives the world through patterns of visual fascination, prioritizing tactile sensations over spatial understanding. This highly abstract film rarely features people. Instead, Klahr presents enigmatic spaces and empty locations that suggest both longing and potential wrongdoing.