Roy Stuart, known for his documentary films like "Glimpse" and his photography often focusing on the female form, is the subject of this film. The movie primarily centers on the women he works with, frequently seen both clothed and unclothed on set. It captures moments during the filming of some intimate scenes, alongside glimpses of unique and compelling production environments. Interspersed are brief scenes depicting the changing of the guard in Copenhagen. Rather than a traditional narrative, the film functions as a collection of moving photographs, offering a fragmented and impressionistic view of Stuart's work.