One Summer Day, I Drank Bubble Tea (2025)

Iranian and Burmese filmmakers frequently find their work showcased at film festivals. Regardless of the film's quality, these directors grapple with questions of privilege and cynicism, striving to stay true to their artistic vision. They question whether their films are recognized for their merit or solely due to their countries' political climates. The directors consider their identity as artists versus activists, and whether the festival circuit is a genuine opportunity or simply a calculated pursuit.