Kristian Day's experimental short film documents his year-long collection of artwork made by the public. He primarily gathered pieces from "Sharpie marker demonstration tables," finding they were all spontaneously created without pre-planning. Initially envisioning a collage, Day ultimately opted for a film format, photographing over 30 individual works. The film's drone music is composed using manipulated sounds generated from simple devices and tapes, employing delays, filters, and reverberation.