The End of Oak Street

"The End of Oak Street" is yet another fossilized production from an entertainment industry out of fresh ideas. This is essentially Jurassic Park in 1980's US suburbia. The lead in is overlong, rather boring, more than a little cliched, leaning heavily on 80's nostalgia to carry it. Beyond that, it's predictable dinosaur action hi-jinks, a basic family adventure, with a dash of time travel nonsense. Very limited upsides include okay but hardly sterling acting and reasonable special effects. In summary, in this reviewers estimation this flick is what you churn out when you have no fresh ideas. A wholly bland watch that wont challenge the synapses.…

Ok, so the whole premiss is fairly flawed. The idea that dinosaurs could roam the streets of an American town without the military - normally first on the scene if you drop your ice cream - taking centre stage with their missiles, tanks and helicopters is even more far-fetched than the idea that velociraptors and Tyrannosaurs might be gobbling up suburban citizens. But it's true! After some some very loud and unexplained noises and some brightly flashing lights, the "Platt" family awaken to find their dog missing. Perhaps "Starbuck" has gone for a coffee? Son "Brian" (Christian Convery) is very concerned but soon that's the least of his problems as with dad "Greg" (Ewan McGregor), mum "Denise" (Anne Hathaway) and sister "Audrey" (Maisy Stella) they find themselves holed up in a home with some seriously noisy and peckish neighbours. How can they possibly fight back with - literally - only…

Check out my full review @ https://movieswetextedabout.com/the-end-of-oak-street-movie-review-a-stylish-amblin-style-spectacle-undone-by-tonal-indecision/ Rating: B- THE END OF OAK STREET is a well-built summer blockbuster whose biggest obstacle is its own indecision about what it wants to be. The dinosaur spectacle is thrilling, Anne Hathaway anchors it with real gravity, Michael Giacchino’s score elevates nearly every set piece, and the Amblin-inspired craft on display is a genuine pleasure to watch unfold — but the moment the film tries to layer real emotional stakes onto a story built for popcorn thrills, the seams show, and they never fully close back up. Setting the right tone is a promise to the audience about how much to feel, and breaking that promise even once can undo a lot of goodwill a movie has otherwise earned.…

When it comes to summertime movies, many viewers expect fun thrill rides, escapist fare at its best. At the same time, though, as the summer movie season winds down, expectations tend to lower by the time August rolls around, when the dregs of its remaining releases are unceremoniously rolled out. But, every so often, audiences are in for an unexpected nifty little treat when a sleeper offering hits theaters. Such is the case with the latest effort from writer-director David Robert Mitchell, a Spielbergian sci-fi retrothriller that skillfully drops elements of the “Jurassic Park” franchise into 1980s suburbia, and it does so with a deft mix of heart-pounding action-adventure and raucous, often-campy humor. The film follows the adventures of the Platt family, mother Denise (Anne Hathaway), father Greg (Ewan McGregor), and teenage children Audrey (Maisy Stella) and Brian (Christian Convery…